
DYNAMICS
DYNAMICS
Animation, Experimental, Short, Stopmotion, Fantasy, Avant-Garde, Art Film, Niet narratief, Sfeer, Kunst
Netherlands
2025
Runtime, min
14



Selections and Awards:
REVIEWS:
The film is amazing. I really loved it! I've never seen anything like it before. It's very strange — hard to find the right words for a review. The music and visuals are fantastic! It creates a feeling of total immersion — but into what? That’s unclear... It feels like the pulsation and movement of life itself, in different forms and stages, from birth to dissolution. A transformation of system and chaos, one flowing into the other. Stunning beauty. And an incredible impact on the inner state — a sense of freshness, harmony, and peace. Thank you!
Live Screenings Attendee
YES. Finally, a film that treats texture as narrative. Every ripple, crumble, twist - a sentence in a language of material. This is what avant-garde stop-motion should feel like: visceral, uncertain, alive.
Jef Liva
I didn’t know how to ‘read’ this, but I didn’t need to. I just let the rhythm carry me. At some point, the soft tearing sound made me think of heartbreak. It’s like the film speaks directly to your body.
Eva Vizcaino
Dynamics explores the ontology of movement in matter - it's animation as philosophical inquiry. The stop-motion technique draws attention to the act of transformation itself, not just the result.
Andres Martinez Hernandez
It doesn’t just use objects, it lets them dictate the rhythm.
Nino Irvikyan
I had no idea what I was watching, but it was weirdly relaxing. Like watching dreams made of clay and foil. I kept thinking: this doesn’t make sense… but I don’t mind.
Leo Antsiferov
It's a challenge to the narrative impulse - and that’s its strength. It doesn’t ask to be understood, only felt. The absence of logic is not a flaw but an invitation. What we get is a kind of tactile trance.
Caleb Dubois
This film reminded me why I love working with my hands. The way light moves across textures, the slowness of transformation - it’s like sculpture in time. It doesn’t explain - it touches.
Roxana Oliveira
