GOODBYE INDIA

Beautiful shots, but, without context - it's not a story. It's more like news od India and its beautiful people.

Not sure what was the point of this work?

A nice sketch—and quite impressive.

An astonishingly beautiful, vibrant, and atmospheric film. In just a short time, it creates a deep sense of immersion into everyday life in India as it is right now—among ordinary people.

Some places never let you go. Even when you leave, they stay inside you. Goodbye India is about that feeling—the weight of departure, the impossibility of forgetting.

If you've been to India, you’ll feel this film in your bones. The chaos, the beauty, the contradiction—it’s all there. If you haven't, this might be the closest you'll ever get to understanding it without stepping foot on its soil.

I could smell the dust. Feel the heat. Hear the distant horns and temple bells, even in the silence. Few films can make you experience a place like this one does.

India is neither paradise nor hell. It’s a contradiction, and this film isn’t afraid to show it. But is it nostalgia, or is it just another outsider’s gaze romanticizing the struggle? It left me questioning, which means it did its job.

When done right, silence is louder than words. This film understands that. A masterclass in visual storytelling, using light, movement, and composition to evoke something beyond language.

Six minutes. No dialogue. But I swear, I heard everything.

Leaving India is never just leaving a place. It’s leaving a rhythm, a scent, a chaos that somehow feels like home. This film captures that ache perfectly.

Every frame breathes. Every color pulses. Every shadow tells a story. No words, yet endless emotion. A love letter, a farewell, an embrace, a wound.