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INVISIBLE MACHINES

INVISIBLE MACHINES

INVISIBLE MACHINES

Documentary, Experimental, Other,

United States

2024

Runtime, min

24

Invisible Machines is an experimental ethnographic film that explores the history and contemporary everyday of “real time captioners” who use stenotype machines to instantaneously transcribe classroom speech to readable text for d/Deaf students. Working against common misconceptions that human captioners and stenotype machines are obsolete relics, my film is part of a larger project that understands stenographic labour not as mired in the past, but as a complex, idiosyncratic and important case. By interrupting the normative coherence of sound and image, the film reflexively undermines the fluency of its own audio track, recreating the gaps in the work of interpretation and translation, making these palpable to the viewers. The real-time experience of stenographic labor has much to say to our current concerns about automation, the future of work, and evolving notions of information and access.
Yelena Gluzman

Director:

Yelena Gluzman

Film Reel
Film Reel
Film Reel

Selections and Awards:

REVIEWS:

Hard to watch. The sound keeps cutting out or doesn't sync with the image. I get that it's an experimental move to show gaps in translation, but it's more annoying than educational. I wanted to learn how the machine works, not solve puzzles.

Stéphan Marcheggiani

This isn't a documentary for Discovery. It's an essay on the nature of information. The film demands attention; it doesn't spoon-feed facts but shows the process of meaning-making through errors, pauses, and diagrams. An intellectual pleasure.

Alejandro Rodriguez Garcia

Finally, a film about the people who make education accessible! The poster is right: they provide communication access in real time yet remain invisible. It’s an important conversation about how accessibility isn't just technology, it's human labor.

Erika Schifano

There is something hypnotic about the shots of hands on the keyboard. Close-ups of fingers pressing those strange keys without letters... It looks like playing a musical instrument. Very tactile cinema.

Alba Lucas

Yelena Gluzman did a great job showing the neutral mediator. The scene explaining the facilitator's role highlights the complexity of this work: you have to be invisible, yet actively translating meaning in real time.

Vlad Skvortsoff

A bold decision to play with the audio track. Undermining the fluency of its own sound forces the viewer to feel the tension a stenographer feels trying to catch every word. It creates a physical sensation of the labor.

Sergio Castro Ruiz

I love these old machines! The shot with the diagram and the black-and-white photo of the typist is gold. The film perfectly shows that stenography isn't an obsolete relic but a complex system that survived despite all automation predictions.

Daniel Garcia

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