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JULIET & THE KING

JULIET & THE KING

JULIET & THE KING

Animation, History, drama, comedy, musical

Iran, Islamic Republic of

2025

Runtime, min

92

The Iranian King gets an invitation to visit France. While visiting a "Romeo and Juliet" play in Paris, the actress catches his eye. He falls in love with her so deeply that he asks her to perform the same play in Tehran, so he can impress her and win her heart. Julie, the actress, decides to take this chance with the help of her friend Jamal. But she suddenly finds herself among jealous court ladies.
Ashkan Rahgozar

Director:

Ashkan Rahgozar

Film Reel
Film Reel
Film Reel

Selections and Awards:

REVIEWS:

I truly felt for Julie. Her fragility in the face of court intrigue and her courage to keep performing was very moving.

Lorena Gilbert

Though fictional, the film captures the atmosphere of 19th-century Iran and shows how its culture interacted with Europe at the time.

Benjamin Nguyen

The songs give the film a theatrical flair, and the dance sequences make it feel like a real stage performance.

Grishma Rawal

Such a beautiful animated film! The music, costumes, and colorful scenes all felt like stepping into a fairy tale. I laughed and felt for the characters.

Daniela Troncoso

I loved the grotesque humor and the mix of genres. It’s both drama, farce, and musical comedy all at once.

Lorena Bezerra

The film boldly blends historical drama, Eastern opulence, and Western classics. It feels like a cultural bridge between Shakespeare and the Shahnameh.

Johan Angel

Love is portrayed here as a force that transcends countries and cultures, yet collides with the barriers of jealousy and power.

Álvaro Layouni

The animation is stunningly detailed, especially the ornaments, carpets, and architecture. You can see the massive effort the artists put into it.

Albert Beltrán

Visually and musically, the film is impressive, though at times it feels overloaded. Too much happening at once. Still, it’s an ambitious and rare achievement in global animation.

Mariano Lars

It’s refreshing that the heroine isn’t just an “object of affection” but an active player in the story who makes her own choices.

Anthony Patant

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