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JUS D’ORANGE

JUS D’ORANGE

JUS D’ORANGE

Animation, Short,

France, Poland

2024

Runtime, min

14

Toni grows oranges. He loves them, they are his treasure. Until one day, strange cargo ships dock in the valley. Cargos loaded with... GREEN oranges!
Alexandre Athané

Director:

Alexandre Athané

Film Reel
Film Reel
Film Reel

Selections and Awards:

Roanne Film Festival Roanne March 9, 2024 World's Premiere Official selection France Festival Music & Cinema Marseille Marseille April 11, 2024 Non Competitive Official Selection France Brooklyn Film Festival Brooklyn, NYC June 9, 2024 US premiere Winner - Spirit Award Animation United States Soirée des Cinéastes Paris June 6, 2024 Winner - Best Screenplay Award France C'est Pas La Taille Qui Compte (CPLTQC) Paris June 9, 2024 Winner - Audience Choice Award France KISSFO Karditsa International Short Film Festival Opseis Karditsa August 16, 2024 Winner - Best Short Animation Award & Cinematic Achievment Award Greece Festival du Film Francophone D'Angoulême Angoulême August 31, 2024 Non competitive Official selection France Cerdanya Film Festival Pyuggera August 24, 2024 Winner - Special Mention Finalist Spain Girona Film Festival Girona September 14, 2024 Winner - Honor Mencio Dibuixos Animats Spain La Fête de L'humanité Paris September 15, 2024 Non Competitive - Official Selection France Le Chouette Festival Rieux Minervois October 5, 2024 Winner - Mention Spéciale Finaliste France 22nd Tirana International Film Festival Tirana September 22, 2024 Official Panorama Selection Albania Worcester Film Festival Worcester September 25, 2024 Nominee Best Animation - Best Sound Design - Best Composer United Kingdom MICE Valencia October 26, 2024 Official Selection Spain Festival du film d'animation de Bourg-en-Bresse Bourg-en-Bresse October 19, 2024 Non Competitive - Official Selection France Shortcutz Paris Paris October 24, 2024 Non competitive - Official Selection France FIGA2024 - Festival International Gbaka Animation Lomé October 19, 2024 Winner - Best International Short Animation Film Togo The Animation Tanzania Film Festival (ATFF) October 31, 2024 Official Selection Tanzania, United Republic of TRT World Citizen Humanitarian Film Festival Istanbul November 2, 2024 Finalist - Official Selection Turkey Biophilia International Film Festival Mexico City & Oaxaca November 15, 2024 Non Competitive - Official Selection Mexico Ouaga Côté Court Film Festival Ouagadougou November 23, 2024 Official Selection Burkina Faso Les Capucines du Cinéma Français Angers & Paris December 20, 2024 Official Selection In competition France GRU International Film Awards December 8, 2024 Winner - Honorable Mention Animation 2024 Brazil Festival Des Anges Châteauneuf-du-pape December 7, 2024 Winner - Special Mention France ICONA (Ioanan Animation Festival) December 8, 2024 Winner - Honorary Mention Intl. Professional Short Animation by Jury Greece Hollywood Best Indie Film Awards December 13, 2024 Winner - Honorable Mention Animation United States Anchorage International Film Festival Anchorage December 22, 2024 Official Selection United States RED MOVIE AWARDS Reims January 3, 2025 Winner - Best Movie Poster Award France AIMAFF - Athens International Monthly Art Film Festival Athens January 6, 2025 Winner - Best Animation Short Greece 1st Monthly Film Festival Belgrade January 25, 2025 Winner Best Animated Film, Best Director Short Film, Best Sound Design, Best Poster, 2nd Best Short Film Serbia East Village New York Film Festival New York February 7, 2025 Winner - Best Animation Film United States Monthly Future of Film Awards February 12, 2025 Winner - Best Animated Film, Best Director Short Film, Best Poster North Macedonia Beverly Hills Film Festival Los Angeles April 6, 2025 Upcoming - Official Selection United States Festival du Film Environnemental de Poitiers Poitiers February 14, 2025 winner - Best animation film France

REVIEWS:

Those factory pipes shaped like candy canes! GENIUS! It was funny and creepy at the same time

Ella Guidetti

My 6-year-old said, ‘The big guy loves his oranges more than anything,’ and I think that’s the best summary.

Christopher Olson

Is this story a metaphor for labor exploitation and corporate greed? The imagery was subtle but powerful. I’m really curious about your message.

Benjamin Nguyen

My kids were totally glued to the screen! And afterwards we actually talked about where juice comes from and who makes it. Thank you for sparking that.

Grigory Kopic

The artistic direction reminded me of Studio Ghibli with a European twist. Have you been inspired by Japanese animation?

Samuel Robinson

The moment JUS D’ORANGE begins, you’re drawn in by its warm, textured colors and the subtle flow of its hand-drawn lines. Every frame feels like a painting, and the direction guides you gently through a world that’s both intimate and universal. The attention to detail makes you want to watch the film over and over to catch every nuance—everything is beautiful, from the glow of sunlight on fruit to the rich, layered backgrounds. The rich yet simple story of this humble orange farmer touched me deeply. It’s not just about oranges—it’s about time, about the world moving too fast, about holding onto memories when everything else slips away. The animation is stunning—hand-drawn, soft, almost like a dream—and the music carries you through the film like a quiet breeze. I think anyone who’s ever felt like they were being left behind by the world will find something in this film that stays with them. This is what I call cinema. There’s a vision and a heart behind it.

Jacotte Smouf

I liked the colors, they were so rich and soft at the same time.

Gaspar Lombardo

A beautiful animation. Vivid and striking. The human face and eye at the beginning and end really hit — they feel more alive and real than in real life. So emotional! It’s like the melody of life being played on the strings of the soul. Leaves a rich aftertaste. Thank you!

Live Screenings Attendee

Toni’s sad eyes broke my heart. He didn’t say a word, but I felt everything.

Irina Charlet

The blend of hand-painted textures and industrial dystopia was absolutely stunning. It felt like a cautionary fable hidden in a children’s book

Marco Quilez

The shift from harmony with nature to the mechanical chaos hit hard.

Alejandro Rüdin

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