top of page
OPENING NIGHT
OPENING NIGHT

OPENING NIGHT

OPENING NIGHT

Screenplay, Horror, Slasher

Not Specified

Pages

95

SCREAM meets BLACK SWAN – on Broadway Set against the high-stakes backdrop of Broadway, the story follows Chloe Foster, a struggling ensemble dancer cast in the "cursed" new musical Born a Star. The production is the last-ditch effort of Gordon Oppenheimer, a ruthless producer desperate to recover from the recent suicide of his former leading man, Julian St. John. As technical rehearsals begin at the Shubert Theatre, the company is stalked by a silhouetted figure in a flowing black cloak and a stark white tragedy mask. One by one, those standing in the way of the production's success are met with gruesome ends. When the show's difficult leading lady vanishes, Gordon seizes the opportunity for publicity, promoting Chloe to the starring role. Driven by a lifelong desperation for stardom, Chloe chooses to ignore the mounting evidence of danger surrounding her "big break." The horror culminates on Opening Night. During the musical’s haunting finale, the masked killer joins Chloe on stage for a climactic pas de deux. In the heat of the performance, Chloe unmasks the figure to reveal her best friend and dancer, Jordan. A former lover of the late Julian St. John, Jordan reveals his bloody crusade is a quest for vengeance against the industry elite who forced Julian into the closet and sparked his downward spiral. The film ends with Born a Star becoming a massive critical triumph. As the curtain falls and the bravos thunder, the true cost of stardom is revealed to be written in blood, proving that on Broadway, the show must go on—no matter the body count.
Michael Susko

Writer:

Michael Susko

Film Reel
Film Reel
Film Reel

Selections and Awards:

REVIEWS:

That opening scene is great. Two things I love most - Horror and Broadway! Coming from a dancer who's worked in the business - I totally know these people. Who's making this movie so I can go see it?

Katelyn Peters

In addition to paying homage to the classic slasher genre, the screenplay also honors the relationships backstage in getting a theatrical show off the ground. As they say in theater, the Show Must Go On, even in the face of a masked serial killer

John Smith

In addition to paying homage to the classic slasher genre, the screenplay also honors the relationships backstage in getting a theatrical show off the ground. As they say in theater, the Show Must Go On, even in the face of a masked serial killer

John Smith

It's a highly visual and stylish slasher. I would watch that movie!

Yoon Ji-eun

WHERE CAN THIS PROJECT GO NOW?

The reviews above tell you how it landed. They don't tell you who buys it.

A Market Read is a structured market assessment of a finished film or screenplay: which buyers and platforms realistically fit, which channels are currently active, what is blocking a deal, and what to fix before you send it anywhere else. Nine sections, delivered in minutes.

Not coverage. Not a review. It's an honest read on where the work can actually sell — including when the honest answer is that it can't.

Start today and save 15%.

Built on the framework behind 5,000+ films and screenplays reviewed across 159 countries since 2015.

bottom of page