top of page
SALAMANDER'S LAND

SALAMANDER'S LAND

ЗЕМЛЯ САЛАМАНДР

Animation, Short, Student, мистика, фантастика, трагедия, трагикомедия, психоделика, distopia, антиутопия, tragedy, fantasy, Tragicomedy, thriller, horror, сатира, satyric, satire

Russian Federation

2024

Runtime, min

9

A man opens his eyes and discovers that he is a guest in the land of salamanders. A story inspired by the "Kappa" by R. Akutagawa and K. Chapek's "War with Newts".
Ekaterina Ulyanova

Director:

Ekaterina Ulyanova

Film Reel
Film Reel
Film Reel

Selections and Awards:

VGIK International Film Festival Moscow World Premiere Russian Federation

REVIEWS:

A harsh and truthful animation. Sometimes it’s only possible to truly understand the reality around you by looking at an analogy from the outside. And then a new problem arises—how to live in the same reality with this new awareness. Thank you!

Live Screenings Attendee

The animation style reminded me of early 2000s Eastern European experimental shorts: bold, weird, political. Loved how it balances satire with apocalyptic dread. Feels like a spiritual cousin to Chapek’s and Akutagawa’s works, indeed.

Aliona Canis

I absolutely loved the surreal vibe and rich visual textures. It felt like falling into a dystopian fairytale that whispered both humor and horror. The salamanders were hilarious and creepy all at once!

Caleb Dubois

The ending hit me hard. There was something hopeless and beautiful about that last moment on the shore. Like... no matter where you go, the world is already infected. Sad but poetic.

Enriko Dandolo

100% recommend to fans of twisted animated dystopias.

Antonio Domingo

It’s wild how a fantasy about salamanders can reflect real-world systems of power, consumerism, and propaganda. This film has layers. It’s not just trippy, it’s sharp.

Leo Antsiferov

As a student myself, I’m amazed at the ambition here. The design, the editing, the storytelling, all super tight for a 9-minute short. Gives me motivation to be bolder in my own projects.

Ana Diaz Garcia

The critique of imported culture and mimicry is very sharp. It questions postcolonial identity without being preachy. Smart cinema in the skin of strange creatures.

Benjamin Lee

bottom of page