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GLOWING MEMORY

GLOWING MEMORY

ᲛᲐᲜᲐᲗᲝᲑᲔᲚᲘ ᲛᲝᲒᲝᲜᲔᲑᲐ

Sci-fi, Drama,

Georgia

2025

Runtime, min

7

After the loss of his beloved Tina, Andro returns to a holographic simulation where she still exists. Through their final conversation, he is forced to confront the painful truth: to survive the future, he must accept change and let go of the past. The film explores grief, memory, and the human struggle to move forward in an artificial world.
Goga Osepashvili

Director:

Goga Osepashvili

Film Reel
Film Reel
Film Reel

Selections and Awards:

Animation Short

REVIEWS:

A wise, profound, and vivid film about the need to let go of the past in order to move forward and live fully. A very timely theme. Thank you!

Live Screenings Attendee

This is the kind of short that lingers after the screening. People were quiet when it ended. It's slow, yes, but intentionally so — to let the emotions settle. Gorgeous lighting.

Marta Ferreras

Glowing Memory’ is a strikingly elegant short that refuses exposition in favor of emotional subtext. Its polished visuals flirt with the uncanny valley, reinforcing the theme of digital longing and synthetic closure. A somber meditation on grief in the post-human age.

Lorena Passero

didn’t expect to cry over a hologram. But when she told him to move on... I felt that. Deep down. The whole thing looked like a dream.

Jaya Gessaga

This is a digital elegy. Goga Osepashvili blends emotional realism with cyber-aesthetics, crafting a story that feels like a cross between Her and Ghost in the Shell. The visual grammar — lens flares, VR artifacts, dreamlike lighting — supports the emotional unraveling beautifully.

Claudia Bigatti

Can love survive death, even in a simulation? Or is it just a shadow we project to delay acceptance? This film asks what we’re really holding onto — the person, or our need to not forget.

Albert Nuñez

Sci-fi romance done right. I loved the dystopian rain-soaked world and the cyberpunk touches — but what really hit was the human emotion. The love felt real, even in a simulation.

Daniel Sanchez Fernandez

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