WE'VE WORKED SO MUCH

In a deserted factory, the bodies of concrete mixers come to life through the unexpected resonance of singing voices. Sound and touch reawaken the metal, uncovering buried stories of motherhood—where the told part is not a neutral space. The notion of labor is redefined through these colossal metallic bodies of resonance—concrete mixers treated as productive organs, sites of a life’s work. Human and non-human bodies alike are approached as generative sites, entangled in a shared choreography of effort, memory, and transformation. Through a visual poem of words, dance and matters, the colossal forms of the cement mixers become transformative spaces—thresholds between the materiality of metal and the carnal presence of the dancing body.